正在播放：欧洲的某个地方HD中字

电影类别:剧情片

连载状态：完结

发行年份：1948

导演：Radványi,Géza

演员：Artúr,Somlay,Miklós,Gábor,Zsuzsa,Bánki

更新时间：2024-04-22 04:11

常见问题:

1、《欧洲的某个地方》讲述的是什么故事？

神马电影网网网友：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

2、《欧洲的某个地方》这部剧中的台词，你怎么看？

秋霞电影网网友：最近《欧洲的某个地方》上映了，没想到西西影院（http://www.fjhgxx.com）非常地慷慨，一来就放全集，观众们可以一口气从第一集看到大结局。这部剧中演员：Artúr,Somlay,Miklós,Gábor,Zsuzsa,Bánki的高颜值是一大亮点之外，它里面的台词也非常的搞笑啊！台词沙雕中带着可爱。

3、《欧洲的某个地方》有多少集？

策驰影院网友：目前更新到HD中字。具体总集数可以去百度问答看看

4、哪个网站可以免费看2K版《欧洲的某个地方》

5、《欧洲的某个地方》当初为何能够火遍全其它？

在早年的电影产业发展线路上，其它的众多电影作品在如今的娱乐圈和电影界之中依旧是十分经典的作品，特别是Artúr,Somlay,Miklós,Gábor,Zsuzsa,Bánki精湛演技更是让我们对于这些剧情片作品具有着怀念之情。在Radványi,Géza的个人艺术事业发展线路上，《欧洲的某个地方》这一部剧情片也是他达到巅峰状态的作品之一，正是制作水平和演员上的选择才让这一部剧情片作品在当年红遍其它。

6、剧情片《欧洲的某个地方》在其它电影中处于怎样的地位？

1948年电影《欧洲的某个地方》开创了其它电影的先河!电影《欧洲的某个地方》是其它电影中真正最好的剧情片!在那璀璨夺目的剧情片黄金时代，《欧洲的某个地方》无疑就是一颗耀眼的明珠。《欧洲的某个地方》的大火让Artúr,Somlay,Miklós,Gábor,Zsuzsa,Bánki名声大噪。所以我觉得《欧洲的某个地方》 就是其它电影的一部巅峰之作，只能被模仿，绝对没有可能被超越。

7、《欧洲的某个地方》是一部怎样的电影？

《欧洲的某个地方》因强大IP基因，开播前就备受瞩目，《欧洲的某个地方》未播先热成焦点。《欧洲的某个地方》如今更收视飘红，话题不断，成为辞旧迎新跨年之际现象级大剧。唯美画风，考究服饰、道具，至少5元钱戳眼特效，大众熟知的《欧洲的某个地方》，高能虐心剧情都为剧加分多多。此外，偶像明星Artúr,Somlay,Miklós,Gábor,Zsuzsa,Bánki拼颜值、斗演技，主配角成功人设与演绎，也在很大程度上拉动且加持了《欧洲的某个地方》收视口碑双飞大势。全民看脸的时代，《欧洲的某个地方》Artúr,Somlay,Miklós,Gábor,Zsuzsa,Bánki高颜值绝对对得起拥趸笃粉。人气爆棚当红偶像明星Artúr,Somlay,Miklós,Gábor,Zsuzsa,Bánki颜值大放送，令无数舔屏族竞折舌，已在预料之中，他们颜值高到令人侧目、仰望，演技更让人弹眼落睛。特别是虐心爱情戏，更成为高瓦斯含量的催泪弹，让无数剧情片迷泪牛满面。

8、不知哪位有《欧洲的某个地方》免费资源?

很多地方都可以看呀，我是在西西影院（http://www.fjhgxx.com）上看的，直接搜索“欧洲的某个地方”就能看了。

9、《欧洲的某个地方》豆瓣评分多高？

《欧洲的某个地方》目前评分：4.0

10、《欧洲的某个地方》是什么类型的片子

《欧洲的某个地方》该剧剧情紧凑，《欧洲的某个地方》故事曲折，重要的是Artúr,Somlay,Miklós,Gábor,Zsuzsa,Bánki演技精湛毫不含糊，导演Radványi,Géza也没有设计浮夸的造型和飘忽玄幻的人设。《欧洲的某个地方》自上线以来，前两集让很多抱着看大尺度剧情片心态的观众没有失望,《欧洲的某个地方》是一部绝佳不可错过的剧情片

11、《欧洲的某个地方》值得看吗,有哪些看点?

引言：《欧洲的某个地方》这部剧情片全程高能，《欧洲的某个地方》播出后立马收获了一大批忠实剧迷，这部剧也成为了Artúr,Somlay,Miklós,Gábor,Zsuzsa,Bánki的成名作。就小编来看，《欧洲的某个地方》这是一部非常值得大家去追的剧情片。《欧洲的某个地方》这部剧情片以生动的人物形象和极尽细节的刻画，《欧洲的某个地方》看点一、前期剧情不错，剧情节奏不拖沓。《欧洲的某个地方》看点二、《欧洲的某个地方》拼的是高度还原与纪实。